I received a question the other day that was asking how I would approach painting out lights from LatLong HDRI’s that are near the bottom or the top of the image. Anything near those poles will usually be heavily distorted and are a pain to remove if you try to paint on the original map. However there’s quite an easy way to remove them in Nuke and at the same time get the lights to a nice and rectangular format for using them on area lights.
Tag: shading
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HDR Prep Tip #1: Painting out Elements near Poles
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Playing with OSL #1: 3D Shading Masks
I have recently started getting into Shader Writing in OSL (actually rather Pattern Writing just to not get frustrated too quickly :-) ). To start things off I wrote a simple Pattern that lets you create a life 3d mask in your shading network that can be used to alter different shading effects in very particular areas of an object without the need to paint texture masks. On top of that being OSL it should work in any renderer that supports it (e.g. PRMan/RIS, Cycles in Blender, VRay, etc).
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Smoothing dotty Specular Highlights in Motionblur
One of the worst things to sample for any brute-force ray tracer are specular highlights / reflections with a low roughness in motion blur. Even worse so on fine displacements or bump. And EVEN more worse with lots of small highlights. When all of these things come together sampling these highlights in motionblur is going to become really hard and with conventional methods you will end up having to rely on extemely high AA samples and even then the highlight-streaks will most likely still be dotty… And you won’t make any friends if they have to paint these streaks smooth in Comp :) So during the crunch time of a recent project I was brain storming with some of my collegues how this could potentially be fixed without needing too much samples and I’ve been working on implementing that idea which seems to work quite nicely.
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Digital Tutors/Pluralsight Training Release
A few months back Digital Tutors/Pluralsight have picked me up to release a training series with them. It’s entitled Intermediate to Advanced AOV Manipulation Techniques in NUKE. In it I will be showing some tips/tricks to work as efficiently as possible with multipass renders. It starts by giving a brief introduction to AOV’s for newcomers, just so that everyone is on the same page but will quickly ramp up into more advanced topics.
After the introductions I prepared a small project to integrate a CG car into a live action environment. Tweaking it to make it look good in the shot and an indepth rundown on why I do what are just a few of the things I will be discussing.Also check out some before/after screenshots of the CG slapcomp vs the final composite to get a rough idea: (more…)