vfx | Julius Ihle

Ground Contact Masks

August 3, 2014 Uncategorized

Integrating CG into uneven soil is an interesting challenge. On a recent show we had to integrate CG characters into plates which often had a grassy ground. For Comp it’s benefitial if you get masks from Rendering to aid the blending of the CG elements into the grass. If the ground the characters are walking on is flat this can easily be achieved with a standard PWorld AOV. It get’s a bit trickier though if the characters are walking up a hill or a similarly uneven surface, because the coordinates at which the character comes in contact with the ground are constantly changing. I’ve been trying to come up with a system to make a Comper’s life easier and found a relatively simple solution.

HDR Prepper Nuke Gizmo for IBL (Updated!)

November 10, 2013 Uncategorized 4

Image based lighting often times simplifies getting started with a good lighting setup when trying to integrate CG into life action. Often times it’s beneficial to have the IBL sphere to just contain the ambient lights from the environment and therefore to paint out any actual light sources from the set. Those can then be used on separate lights to give the main illumination from the set lights, while the IBL sphere contributes ambient environment light. Now, if you have a lot of different environments and consequently a lot of different HDR’s it can be tedious to paint out the lights and output them after that…

Simple PrimVar Helper Script (updated)

September 14, 2013 Uncategorized 7

Primitive Variables are a really cool way to get variation in Renderman Shading Networks. As it requires adding Attributes to your Shape Nodes within Maya to control the variation it can be quite time consuming to set it up. So I was trying an attempt to build an interface that helps a bit with the set up.

Dirt AOVs with Yeti & PRMan

August 3, 2013 Uncategorized 2

CG fur always has the tendency to look very clean and soft. To break up the structure and to give a bit more realism I like to mix it with a bit of dirt, e.g. some leafs or sticks in the fur of a character walking through the woods. Here’s a quick rundown on what I’m doing to achieve this using Yeti and Renderman within Maya.

Automatic TEX Conversion

June 28, 2013 Uncategorized 1

To render more efficiently and to get some particular features working one has to feed Renderman with .tex files. Most regular image files can be converted to .tex files with the txmake executable that comes with RPS. However converting multiple files such as UDIM’s from Mari can be time consuming. So let’s make things a bit quicker… :)

Prep Work Tips

March 29, 2013 Uncategorized

Sooner or later there’s always a project where lot’s of things have to be removed. Sometimes there’s not only the quantity but also the quality of work required to get good looking results. There are probably not a lot of people out there who love doing this, but it has to be done, so here are a few snippets of tips I learned over the last few months.

Mari to Maya Workflow

December 10, 2012 Uncategorized 2

Getting textures from Mari to Maya is pretty straight forward. Once you understand the Workflow it’s pretty fast. But what if you have a complex model, or even multiple models, each with multiple channels and lot’s of UV-Patches? It can be VERY time-consuming setting up each and every texture by hand.